![]() ![]() ![]() However, as with many of Dylan’s songs, the lyrics of “Idiot Wind” are deliberately ambiguous and open to various interpretations. Many fans and critics interpret “Idiot Wind” as a reflection of the anger and regret Dylan felt during this period. “Blood on the Tracks” was recorded during a turbulent time in Dylan’s personal life, including the breakdown of his marriage to Sara Lownds. “Idiot Wind” is often interpreted in the context of Dylan’s personal life. In the final verse, Dylan appears to confront his own mortality: “I’ll even have to learn to touch you, or somehow or another get across / You’re gonna have to deal with yourself before you deal with anyone else.” This self-realization demonstrates that “Idiot Wind” is not merely a song of blame, but also a song of introspection and self-criticism. “I haven’t known peace and quiet for so long I can’t remember what it’s like,” Dylan sings, suggesting a sense of regret and longing for simpler times. In the song, Dylan reflects on his own actions and acknowledges his own failings. Reflection and Regretĭespite its outwardly accusatory tone, “Idiot Wind” also contains a significant element of self-reflection. It’s as if Dylan is criticizing the foolishness and ignorance he perceives in the world around him. ![]() The chorus, with its reference to the “idiot wind,” seems to be an accusation directed at both an unnamed individual and society at large. The opening verse of “Idiot Wind” sets the tone for the song: “Someone’s got it in for me, they’re planting stories in the press / Whoever it is I wish they’d cut it out but when they will I can only guess.” These lines immediately establish a sense of paranoia and resentment. Its eight verses flow like a stream of consciousness, taking listeners on a whirlwind journey through accusations, bitterness, disappointment, and introspection. ![]() “Idiot Wind” is a song of strong emotions and vivid imagery. Delving into its meaning uncovers a storm of anger, regret, and self-reflection. Its cryptic lyrics, combined with Dylan’s passionate vocal delivery, make “Idiot Wind” a potent and enduring exploration of the human condition. But in the end, the singers behind it are here for one reason: They can remake the world just by opening their mouths.Bob Dylan’s “Idiot Wind,” from his critically acclaimed 1975 album “Blood on the Tracks,” is widely regarded as one of his greatest and most complex songs. A voice can be gorgeous like Mariah Carey’s, rugged like Toots Hibbert’s, understated like Willie Nelson’s, slippery and sumptuous like D’Angelo’s, or bracing like Bob Dylan’s. In all cases, what mattered most to us was originality, influence, the depth of an artist’s catalog, and the breadth of their musical legacy. As our write-up for the man who ended up at Number 112 notes, “Ozzy Osbourne doesn’t have what most people would call a good voice, but boy does he have a great one.” That could apply to more than a few people here. Others have rougher, stranger, or more delicate instruments. Sure, many of the people here were born with massive pipes, perfect pitch, and boundless range. Talent is impressive genius is transcendent. You might notice that, say, there isn’t any opera on our list - that’s because our purview is pop music writ large, meaning that almost all the artists on this list had significant careers as crossover stars making popular music for the masses.īefore you start scrolling (and commenting), keep in mind that this is the Greatest Singers list, not the Greatest Voices List. This new list was compiled our staff and key contributors, and it encompasses 100 years of pop music as an ongoing global conversation, where iconic Indian playback singer Lata Mangeshkar lands between Amy Winehouse and Johnny Cash, and salsa queen Celia Cruz is up there in the rankings with Prince and Marvin Gaye. The results skewed toward classic rock and singers from the Sixties and Seventies. When Rolling Stone first published its list of the 100 Greatest Singers in 2008, we used an elaborate voting process that included input from well-known musicians. These are the vocalists that have shaped history and defined our lives - from smooth operators to raw shouters, from gospel to punk, from Sinatra to Selena to SZA. And you can think of our list of the 200 Greatest Singers of All Time as a celebration of that bond. Aretha Franklin described her mission as a singer like this: “Me with my hand outstretched, hoping someone will take it.” That kind of deep, empathetic bond between artist and listener is the most elemental connection in music. ![]()
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